![]() The volume features hundreds of images, including a photo essay of album covers a foreword by country music superstar Vince Gill (the winner of twenty Grammy Awards) and twelve fascinating appendices, ranging from lists of awards to the best-selling country albums of all time. Other essays cover the literature of country music, the importance of Nashville as a music center, and the colorful outfits that have long been a staple of the genre. The new edition also explores the latest and most critical trends within the industry, shedding light on such topics as the digital revolution, the shifting politics of country music, and the impact of American Idol (reflected in the stardom of Carrie Underwood). Compiled by a team of experts at the Country Music Hall of Fame and Museum, the encyclopedia has been brought completely up-to-date, with new entries on the artists who have profoundly influenced country music in recent years, such as the Dixie Chicks and Keith Urban. This thoroughly revised new edition includes more than 1,200 A-Z entries covering nine decades of history and artistry, from the Carter Family recordings of the 1920s to the reign of Taylor Swift in the first decade of the twenty-first century. Countless fans have used it as the source for answers to questions about everything from country's first commercially successful recording, to the genre's pioneering music videos, to what conjunto music is. Immediately upon publication in 1998, the Encyclopedia of Country Music became a much-loved reference source, prized for the wealth of information it contained on that most American of musical genres. ![]() Congress tells a compelling and engaging story about a colorful and thoughtful character who as a child picked cotton and plowed a field behind a mule, who grew to manhood coping with the southern Jim Crow system, and who participated in the creation and perpetuation of the blues. For this book Richard Congress, who reissued two of Rachell's old LPs in CD format, worked closely with him to record memories spanning decades of blues playing. Rich appendixes detail Yank's mandolin and guitar style and his place in the blues tradition. Yank's recollections reveal new information about personalities and events that will delight blues history buffs. Through the blues, Rachell's world expanded to include Chicago, New York, recording studios and, after the sixties, radio, TV, and national and European tours. An active musician for 75 years, Rachell mastered several musical instruments and first recorded for Victor in Memphis in 1929. If the world was made up of people like Yank Rachell it would be a wonderful place to live." Blues Mandolin Man chronicles the life, times, and music of a man who was born into a family of sharecroppers in 1910 in rural western Tennessee. "He just had a great spirit about him," Musselwhite said of Rachell's playing and singing, "really just shouting it out. Guitar great Ry Cooder said, "Yank's style fascinated me because it had a lot of power and it's very raw-and what a great thing to do, just attack this little instrument like that." Charlie Musselwhite, the noted harp player, worked with Rachell and club hopped in Chicago with the elder bluesman. No other biography discusses the mandolin's influence and role in the blues. ![]() In Blues Mandolin Man: The Life and Music of Yank Rachell, Richard Congress delivers the first biography of a family man whose playing inspired and energized the likes of David Honeyboy Edwards, Sleepy John Estes, and Henry Townsend. When he died in April 1997, he left behind a stack of unanswered requests to tour Europe and to play blues festivals in the United States. ![]() Yank Rachell and his mandolin playing style moved every musician lucky enough to hear him perform in the early sixties. ![]()
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